Thursday, September 26, 2013

Making Meaning out of Breaking Bad


            From the start of the pilot episode on January 20, 2008, Breaking Bad has been something else. Main character Walter White (Bryan Cranston) is a high school chemistry teacher that lives in New Mexico with his wife and son. Walter is diagnosed with cancer and has to think of a way to make ends meet for when he is gone. Not necessarily thinking straight he decides to enter the dangerous world of drugs with former student Jesse Pinkman (Aaron Paul). They start to cook methamphetamine in an RV. What they originally think is a simple endeavor turns into a battle for survival amongst drug lords.

            Walter and Jesse dive head first into the drug world with minimal experience. Walter forgets to mention to Jesse that his brother-in-law is a DEA agent. This turns out to be a minimal hiccup in their journey. Walt and Jesse have to prove themselves time after time to various people that they are worthy in this industry. They finally prove their worth by producing a blue crystal methamphetamine that is around 90% pure. They continue to produce this product that has a very high yield and brings the “druggies” back for more.

            This show as a whole makes viewers think, “Is this how we live today?” Seymour (2013) asks, “Are we torn between pity and scorn for the morally crippled Walter White’s fumbling and now crumbling attempts to keep everybody close to him alive, well and happy in the midst of his sordid machinations?” Although Walter plays the ruthless villain in this TV show, we are rooting for him 95% of the time. What is it that makes us love the villains’ of this show? A lot of it has to do with the point of view that the story comes from. The show rarely plays into Skyler (Walter’s wife) or Walter White Jr.’s (Walter’s son) feelings. It focuses on the villains’ roles.

            Breaking Bad uses different aspects of television programming to influence the meaning making process. Breaking Bad does an exceptional job of using different camera angles, lighting, and costuming. AMC producer Vince Gilligan created this show in a light that made viewers think Walter was doing the best he could in these immoral situations. Walter and Jesse have to make irrational decisions and always think on their feet. Something intriguing about this show is the fact that every little thing has importance. Breaking Bad has a way of taking something insignificant and making it vital. An example of this would be the young boy riding his dirt bike across the desert in the beginning of an episode. We later witness in season 5 episode 5 the death of this boy (shot by Todd). The innocent and harmless boy that was driving by was viewed as a liability in their scheme of stealing methamphetamine from the train.

            Breaking Bad does a lot of work with camera angles to capture the audience attention. Seeing as this is a dramatic TV show, they use a lot of ‘rack focusing’. Mittell says, “When a shot has a narrow depth of field, part of the image will be out of focus.” The camera operator alters the focal point for dramatic effect on a specific scene. A particularly great example of this comes at the beginning of one of the Breaking Bad episodes. In the beginning, Jesse is holding the tube full of Ricin. The camera focuses on the Ricin, blurring Jesse. Then the camera focuses on Jesse, blurring the Ricin. This precise scene gains significance as the plot develops.

            AMC’s Breaking Bad also does a great job in creating lighting that goes along with the plot. When the mood is happy and playful, the lighting is bright and colorful. When Walt, Jesse, or any other character is in a sticky situation, the lighting is dark and resembles that fear or negativity. 

            This show does something very interesting with costuming. Breaking Bad often times dresses the characters in clothes that are plain and ordinary. This makes the viewers’ focus on the plot more as opposed to material items. The show would have a totally different feel if the characters were dressed in fancy clothes. The viewers might pay more attention to what they are wearing if this were a high fashion show.

            Even more significant, are some of the lines that are used in this show. Bowie (2013) argues that, “The lines used aren’t just harmless throwaway gags. A lot of lines point to an absence of humanism at the core of Breaking Bad—a curious, regrettable flaw in a show that, undeniably, strives toward thoughtful contemplation of the nature of good and evil.”

            AMC’s Emmy® Award-winning show Breaking Bad does a great job of making meaning out of camera angles, lighting, and costuming. Sadly enough, this show will be coming to an end on Sunday, September 29th. The series finale will air at 8 pm with millions of viewers tuned in.

 

AMC website.

Bowie, S. (2013). The Case Against Breaking Bad. A.V. Club. Retrieved from


Mittell, J. (2010). Television and American Culture: Making Meaning. New York: Oxford

            University Press.

Seymour, G. (2013). ‘Breaking Bad’ is Watching You. CNN Opinion. Retrieved from

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