With
popular culture bursting at the seams with images of money, glamour, material
possessions and fame, it is no wonder that the show Gossip Girl took over during its reign from 2007-2013. Despite it’s
undeniably amusing depiction of high-class private school life, the show
reflects representations far beyond the scripted words. While the show features
story lines involving multiple different female leads, the female characters
with success or winning moments are all white. Gossip Girl’s representation of race in its female characters
reflects the dominant hegemonic idea of white privilege.
Images of
white superiority have dominated television. Despite the efforts of shows such
as the Cosby Show to change this,
white characters still dominate television reflecting the image that they have
superior lifestyles. Gossip Girl reinforces
this idea that only white members of this TV created society are rich. It has
been critiqued in the media for its lack of diversity (Hobson). The main women
on the show, Serena van der Woodsen and Blair Waldorf, are shown enjoying the
“finer things in life.” Blair lives in an upper eastside apartment. Her closet
is about the size of an average American’s living room. She is handed every
piece of clothing, handbags, shoes or jewelry she could ever want to own. She
is literally served off of a silver platter. Her race? Yes, you guessed it.
Blair is white. She is shown as beautiful, smart and glamorous in the spotlight
of New York City. Because Blair is shown portraying this lifestyle, she reflects
this dominant hegemonic idea. Immediately in the show, it is known through
character dialogue that Blair is one of the women who rules as “Queen Bee.”
This power is bestowed upon only white female characters. This reflects, an
image of white superiority in the lives of the characters. Critics of the show
have argued that Gossip Girl could
have broken out of this hegemonic practice but chose to reflect common
stereotypes of this class (Andrews).
Alongside
Blair, Serena van der Woodsen enjoys an expensive, glamorous life. She is shown
dressed in designer fashion with diamonds reflecting the sun outside her Upper
East Side loft. She too flaunts this “Queen Bee” title. She can make any man
desire her with one glance. Serena, despite her many mistakes in the show,
always finds a way to work out her issues through money. The show reflects an
image that the white female characters, despite the drama that ensues, no
matter how deeply rooted the problem is, these women can use their money to fix
it. By reflecting this impression, white characters are allowed to achieve
happiness.
The only
female main character that isn’t allowed to achieve happiness is… not white.
Vanessa Abrams is of African American and Hungarian descent. Not only is she
not white, writers of the show center this character around the idea that she
cannot afford all the lavish luxuries that Blair and Serena consistently enjoy.
Vanessa does not have the income to live in the wealthy Upper East Side. She
cannot afford to attend the high-class private school of the other characters. She
does not get accepted to Ivy League colleges like the others. She attends a
public university in later episodes. Vanessa’s dress reflects this ideology
too. The white characters are shown in the latest designer dresses, skirts and
jewelry. Vanessa is depicted in casual clothes consisting of jeans and various
tops, reflecting her lower income once again. She is constantly shown wearing
large hoop earrings, a negative stereotype that can be associated with women of
color (“Gossip Girl Goes Over to the Dark Side [Again]”). However, the main way
Vanessa reinforces this hegemonic idea of white privilege is through her
continuous love for Dan Humphrey. Dan Humphrey, a white male character, has
been Vanessa’s friend for decades. However, Dan never seems to reciprocate
deeper feelings for her. Though Vanessa’s feelings are obvious, in the first
few seasons, Dan cannot shake his deep desire for Serena. Blair even makes
cruel jokes about Vanessa’s longing to be with Dan.
Blair sees Vanessa as
pathetic and unworthy of someone that Serena would date. This sends a message
that the white women will win against the characters of a different race. This
set up contains the potential message that women of race can be successful and
appropriates that idea through Blair’s interaction with Vanessa.
Nevertheless,
why is it that the show chooses to represent white female characters and
nonwhite characters in such a way? Many believe that it is because white
viewers most directly link those types of roles with whiteness (“Whiteness and
American TV”). Could it be due to the fact the Upper East Side in reality is
83% white (Olson et al)? There’s a large possibility it is because we have
always associated this high-class New York City lifestyle with rich white men
and women. Critics of the show fault Gossip
Girl for its lack of diversity but yet, understand that breaking out of
this hegemonic code of whiteness in wealthy NYC, could have lessened the number
of viewers (Andrews). Despite it’s popularity, Gossip Girl represents the idea of white privilege through the main
female characters. Whether it’s due to the racial representation in the area of
NYC or our dominant ideology of white privilege, Gossip Girl reinforces these ideas. As Blair Waldorf stated, “once
again the world has proven – anything you can do, I can do better” (TV
Fanatic). Nevertheless, is Blair really better just cause of her skin color? Gossip Girl sure thinks so.
Works Cited
Andrews,
Helena. "Keep 'Gossip Girl' White." The Root. N.p., 21 Oct.
2008. Web. 21 Oct.
2013. <http://www.theroot.com/views/keep-gossip-girl-white>.
"Gossip
Girl." TV Fanatic . N.p., n.d. Web. 21 Oct. 2013.
<http://www.tvfanatic.com/quotes/shows/gossip-girl/season-2/page-8.html>
Hobson, Emmy. "Post #4 Hidden Racism in
Gossip Girl and The Hangover." My
Media World. Blogger, 13 Apr. 2011. Web. 21 Oct. 2013. <http://eeh271.blogspot.com/2011/04/post-4-hidden-racism-in-my-gossip-girl.html>.
Olson
EC, Van Wye G, Kerker B, Thorpe L, Frieden TR. Take Care Upper East Side. NYC
Community Health Profiles, Second Edition; 2006;
23(42):1-16.
"Whiteness
and American TV." bigWOWO. WordPress, 26 Apr. 2012. Web. 21
Oct. 2013.
<http://www.bigwowo.com/2012/04/whiteness-and-tv/>.
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